A Reflection of the Eighteenth Century Sublime in Mary Shelley’s Frankenstein

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Outline:

Contents
General Introduction
Chapter One: The Eighteenth Century Sublime
1.1. Introduction
1.2. Romanticism and Nature
1.3. The Romantic Aesthetics of Nature
1.4. The Aesthetic Appreciation of Nature
1.5 The Romantic Sublime
1.6 Edmund Burke’s Concept of the Sublime
1.6.1 Imagination
1.6.2 Astonishment
1.6.3 Fear and Terror
1.7 The Kantian Sublime
1.7.1 The Mathematical Sublime
1.7.2 The Dynamical Sublime
1.8 Conclusion
Chapter Two: The Natural Sublime and Deformity in Frankenstein
2.1. Introduction
2.2. Background and Inspiration
2.3. Sublime Elements in Frankenstein
2.3.1.The Sublime Landscape Effect
2.3.2. The Sublime and Monstrous
2.3.3. The Sublime and The Monster’s Psychology
2.4. Emotion in Frankenstein
2.4.1 Dehumanization and Deformity
2.4.2 Social Ostracism
2.4.3.The Monster’s Humanity
2.5. The Monster’s Education
2.6 Conclusion
General Conclusion
Bibliography

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