Resisting Biased Perceptions of Women and Reshaping their Identity in the Movie Adaptation of HG. Wells’s The Invisible Man
General Information:
Level |
Master |
Title |
Resisting Biased Perceptions of Women and Reshaping their Identity in the Movie Adaptation of HG. Wells’s The Invisible Man |
Specialty |
Literature and Civilisation of Foreign Languages |
Cover Page:
Outline:
ACKNOWLEDGMENT
General Introduction
Chapter One: Historical Background and Key Concepts of The Invisible Man
1.1. Introduction
1.2. The Historical Context of The Invisible Man
1.2.1. lighting
1.2.1.1. Gaslighting
1.2.2.2. Matches
1.2.2.3. Electricity
1.2.2. Mass Media
1.2.2.1. Newspapers
1.2.2.2. The Radio
1.2.2.3. The Telephone
1.2.3. Victorian Transport
1.3. The Literary Context of The Invisible Man
1.3.1. Overview of The Invisible Man
1.4. HG. Wells Biography
1.5. Science Fiction
1.6. Concepts of Positivism, Scientism, and Progressivism
1.6.1. Positivism
1.6.2. Scientism
1.6.2. Progressivism
1.7. Positivism, Scientism, and Progressivism in The Invisible Man
1.7.1. Positivism
1.7.2. Scientism
1.2.3. Progressivism
1.8. Feminism and Gendered Literature
1.8.1. Origin of Feminism
1.8.2. Gender Theory
1.8.2.1. Sex and Gender
1.8.2.2. Gender Roles
1.9. Film Adaptation
1.9.1. History of Adaptation
1.9.2. Principles of Adaptation
1.10. Conclusion
Chapter Two: Biased Perceptions of Women in the 1933’s Movie Adaptation of HG. Wells’s The Invisible Man
2.1. Introduction
2.2. James Whale Biography
2.3. Overview of the Movie Adaptation ‘The Invisible Man’
2.4. Critic’s reviews on the 1933’s adaptation ‘The Invisible Man’
2.5. How Does the Movie Departs from the Movie?
2.6. An Analysis of the Female Characters in the Novel
2.6.1. MRS. Hall
2.6.2. Millie
2.6.3. The Old Women
2.7. An Analysis of the Female Characters in the Movie Adaptation
2.7.1. MRS. Hall
2.7.2. Flora Cranley
2.8. The Binary Oppositions Between Genders: Femininity Vs Masculinity
2.8.1. What Defines Masculinity and Femininity
2.9. The Portrayal of Biased Perceptions of Women in the 1933’s Movie Adaptation of HG. Wells ‘s ‘The Invisible Man’
2.9.1. Behaviour Categories
2.9.1.1. Behaviour in Moments of Stress and Fear
2.9.1.2. Behavioural Dialogue
2.9.2. General Interactions with Others
2.9.3. Intelligence
2.9.3.1. Critical Thinking and Problem Solving
2.9.3.2. Dialogue During Critical Thinking and Problem Solving
2.9.4. Physical Appearance
2.10. Conclusion
General Conclusion
Bibliography
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