Totalitarianism between Fiction and Reality in George Orwell’s Nineteen Eighty-Four

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Outline:

General Introduction
Chapter One: Historical Perspective of Totalitarianism
1.1. Introduction
1.2. New Historicism
1.3. Totalitarianism
1.3.1. Definition of the concept
1.3.2. Totalitarianism as an ideology
1.3.3. Cases of totalitarianism
1.3.4 Totalitarianism in Literature
1.4. Dystopian Literature
1.4.1. Definition and Characteristics
1.4.2. Dystopia’s Evolution in Fiction
1.5. Orwellian Literature
1.5.1. Orwell’s Works in a Biographical Context
1.5.2. Orwellian Genre
1.6. Controversy
1.7. Conclusion
Chapter Two: Totalitarianism in Nineteen Eighty-Four
2.1. Introduction
2.2. Nineteen Eighty-Four
2.2.1. Plot Summary
2.2.2. Characterization
2.2.2.1. Winston Smith
2.2.2.2. O’Brien
2.2.2.3. Julia
2.2.2.4. Big Brother
2.2.2.5. Emmanuel Goldstein
2.2.3. Settings
2.2.3.1. Ministry of Truth
2.2.3.2. Ministry of Love
2.2.3.3. Ministry of Peace
2.2.3.4. Ministry of Plenty
2.2.3. Language and Style
2.3. Political Allegories in Nineteen Eighty-Four
2.3.1. Propaganda
2.3.2. Thought Control
2.3.3. Distortion of History
2.3.4. Surveillance
2.4. Orwell and our Future
2.4.1. Public Mind Control
2.4.2. Doublethink
2.4.3. Technology and Espionage
2.5. Conclusion
General Conclusion
Bibliography

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