TRAUMA NARRATIVE AND STYLISTIC STUDY IN Don Dellilo‟s Falling man and Leila Aboulela‟s Minaret

General Information:

Cover Page:

Outline:

Introduction: Background of the Study: Statement of the Problem
Objectives of the Study
Research Questions
Hypotheses
Scope and Limitation of the Study
Significance of the Study
Methods and Organization of the Study
Chapter One: The representation of Trauma Literature
1.1 Introduction
1.2 Theorizing Trauma, Trauma Theory
1.2.1 An Introduction to the concept of Trauma
1.2.2 Theoretical Framework of Trauma Theory
1.2.3 Features of Trauma Theory
1.3 The Development of Representations of Trauma
1.3.1 Trauma Theory Reconsidered
1.4 Trauma Fiction and Literature
1.4.1 Trauma and Literary Studies
1.4.2 Trauma fiction in American Literature
1.4.3 Trauma fiction in African Literature
1.5 Stylistics and the Language of Trauma
1.5.1 An Introduction to the Concept of Stylistic Analysis
1.5.2 The Concept of Style
1.5.3 The Concept of Stylistics
1.5.4 The Area of Interest of Stylistics
1.5.5 Why Stylistics?
1.5.6 Framework for Analyzing Prose Style
1.5.7 Lexical Categories
1.5.8 Selected Categories for this Research
1.6 Conclusion
Chpater Two: Trauma Experience and Its Narrative in the American Novel Falling Man by Don DeLillo
1. Introduction
2. Trauma Experience and its Narrative in Don DeLillo’s Falling Man
2.1 Don DeLillo’s Falling Man as a Trauma Fiction
2.2 Structural Representation of Trauma
2.3 Characters Trauma Analysis
2.3.1 Overcoming Trauma
2.3.1.1 Characters Acting Out
2.3.1.1.1 Keith
2.3.1.1.1.1 Direct Victim and Witness
2.3.1.1.1.2 Keith’s Circular Acting Out
2.3.1.1.1.3 New World, New Definitions
2.3.1.1.1.4 Traumatic Recollection of Memory
2.3.1.1.1.5 Timeless State of Absence a Fragmented Self
2.3.1.1.2 Lianne
2.3.1.1.2.1 Second Hand Witness and Vicarious Victim
2.3.1.1.2.2 Link between Trauma, Art and Music in Acting Out
2.3.1.1.2.3 Awakening a Previous Trauma
2.3.1.2.2.4 “Falling Man” Role in Lianne’s Acting Out
2.3.1.2 Characters Working Through
2.3.1.2.1 Language Role
2.3.1.2.1.1 An Introduction to Language
2.3.1.2.1.1.1 Keith and Lianne Use of Language
2.3.1.2.2 Ritual Role
2.3.1.2.2.1 Keith: The Counting Ritual and Corporeality
2.3.1.2.2.2 Lianne: Religious and Counting Ritual
2.3.1.2.2.3 The Representation of Chance
2.3.1.2.2.3.1 An Introduction to Chance
2.3.1.2.2.3.2 Lianne Confrotation with Chance
2.3.1.2.2.3.3 Keith Solace in Poker
2.3.1.2.3 Stylistic Study of the Use of Adjectives in Falling Man
3. Conclusion
Chpater Three: Trauma Experience and its Narrative in the African Novel Minaret by Leila Aboulela
1. Introduction
2. An Overview of Najwa through the Story
3. Trauma Experience and its Narrative in Leila Aboulela’s Minaret
3.1 Leila Aboulela’s Minaret as a trauma fiction
3.2 Structural Representation of Trauma
3.3 Characters Trauma analysis
3.3.1 Overcoming trauma
3.3.1.1 Character’s acting out
3.3.1.1.1 Najwa’s Acting out
3.3.1.1.1.1 Migrant Trauma Victim
3.3.1.1.1.2 Space, Time and Identity
3.3.1.1.1.3 Traumatic Recollection of Memory
3.3.1.1.1.4 Men’s Role In Najwa’s Life
3.3.1.1.1.5 Making Up For The Loss: Filling The “Empty Space Called Freedom”
3.3.1.1.1.6 Negociating Identities for Loss of Family Bound
3.3.1.2 Character’s Working Through
3.3.1.2.1 Religion as Refuge to Pain
3.3.1.2.2 Longing for Companionship
3.4 Stylistic study of the use of Adjective in Minaret
4. Conclusion
GENERAL CONCLUSION
Bibliography

Download The Thesis:

📥 تحميل الملف

For more
academic sources and references,
including theses and dissertations from Algerian universities,
, visit our main website.