Intertextuality and Dialogism in the Feminine Novel: R. West’s The Return of the Soldier (1918) and D. Lessing’s The Golden Notebook (1962)

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Acknowledgments
Contents
General Introduction
Chapter One: Exploring Women’s Writing and the Feminine Novel
1.1. Introduction
1.2. Women’s Writing
1.2.1. The Beginning of the Feminine Literature
1.2.2. Women’s Writing as a Literary Discipline
1.2.3. Feminist Literary Criticism
1.3. The Novel as the Main Feminine Literary Genre
1.3.1. The Novel
1.3.2. The Early Feminine Novels
1.4. Discourse in the Feminine Novel
1.4.1. Dialogism
1.4.2. Intertextuality
1.4.2.1. Intertextuality’s Devices
1.4.2.2. Integration by Installation
1.4.2.3. Integration by Suggestion
1.4.2.4. Integration by Allusion
1.4.3. Collage
1.4.4. Citation
1.5. Historical Background
1.6. Conclusion
Chapter Two: Intertextuality in The Golden Notebook and Dialogism in The Return of the Soldier
2.1. Introduction
2.2. The Summary of The Golden Notebook
2.3. The Summary of The Return of the Soldier
2.4. Intertextuality in The Golden Notebook
2.4.1. Integration
2.5. Dialogism in The Return of the Soldier and The Golden Notebook
2.6. The Position and the Role of the Woman in each Novel
2.7. Conclusion
General Conclusion
Bibliography

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