Investigating the Use of Code-Switching Phenomenon in Algerian Movies – Case Study Master students of Ibn Khaldoun University

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General Introduction Chapter One: Theoretical Background 1.1 Introduction 1.2 Aspects of Multilingualism and Bilingualism 1.3 Code Switching CS 1.4 Code Mixing CM 1.5 CS Versus CM 1.6 CS Types and Their Frameworks 1.6.1 Types of CS 1.6.1.1 Situational Code-Switching 1.6.1.2 Metaphorical Code-Switching 1.6.1.3 Conversational Code-Switching 1.6.2 CS Frameworks 1.6.2.1 Intra-sentential Code-Switching 1.6.2.2 Inter-sentential Code Switching 1.6.2.3 Tag Code-switching 1.7 Purpose (s) of Code-Switching 1.8 Function of CS 1.9 Borrowing 1.10 CS is not Borrowing 1.11 Theoretical Models of CS 1.10.2 The Markedness Model 1.11 Conclusion Chapter Two: The Sociolinguistic Profile of Algeria 2.1.Introduction 2.2. The Bilingualism State in Algeria 2.3. The Algerian Language Situation 2.3.1. Modern Standard Arabic MSA 2.3.2. Algeria’s Dialectal Arabic ADA 2.3.3. Berber Br 2.3.4. French Fr 2.3.5. English 2.4. The Sociolinguistic Situation in Algeria 2.4.1. Diglossia in Algeria 2.4.2. Borrowing in Algeria 2.4.3. Code-Switching/ Mixing in Algeria 2.5. Movies History in Algeria 2.5.2. Algerian Cinema During The French Colonization 2.5.2. Algerian Independent Film-making (1960s-1970s) 2.5.3. Algerian Cinema in the Present (1980 to the present day) 2.6. Conclusion Chapter Three: Data Analysis & Findings 3.1. Introduction 3.2. Analysis Methodology 3.3. Sample Population 3.4. Instruments of Data Collection 3.5. Data Gathering Procedures 3.6. Data analysis and Interpretation 3.7. Analysis and Interpretation of The Questionnaire 3.8. Discussing The Findings 3.9. Conclusion General Conclusion

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